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Lawrence Pretended Not to Notice That a Bear Had Become Attached to his Coattails | James Christensen
Lawrence Pretended Not to Notice That a Bear Had Become Attached to his Coattails James Christensen
“This is one of those paintings that most people can relate to,” says James C. Christensen, “although often for a different reason than you may expect. I think everyone occasionally ignores problems in the hope that they will fade away, but that’s not the only interpretation for the image. When wildlife painter Bonnie Marris saw this paint she cried, 'That poor bear! This is the third guy he’s gotten attached to this week and this isn’t even his neighborhood! Did you ever think about that?'"
“Personal experience has a major influence on people’s interpretation of the painting’s message. When I gave a talk to third graders about trusting their ideas, I asked them what they thought Lawrence… was about, one little girl said, You shouldn’t take pets home without asking your mom.”
James C. Christensen
Beaver Creek Gallery at Troutdale Art Center
11x9.5” Open Edition Framed Gallery Wrap Canvas
$100
#TheSpendYourMoneyWithAHumanYouCanSeeProject
"Pride" Wall Mount Bronze | Rip Caswell
This bronze mask of an African Lion can be easily displayed on the wall of any room, a beautiful addition to any art lover’s home or collection, especially those who love African wildlife.
Limited Edition of 35
May be picked up at TAC or we will invoice shipping at actual cost.
"Mother Ocean's Anvil" | Matt Eaton 30" x 20" Signed & Titled Metal Print
"Terrible Tilly" takes a massive hit from an incoming wave. Opened in 1881 and providing lighthouse service until 1957 she has seen more than her fair share of angry ocean. The tip of the lighthouse sits 134 feet above the ocean surface, I'd give this wave about 200.
-Matt Eaton
Mirror 497_The Stick Man | Loree Harrell | Ltd Ed Metal No. 2/11
Mirror 497_The Stick Man
Limited Edition No. 2/11
Loree Harrell
20x20 giclee print on watercolor paper
Limited Edition
Sandy River Gorge; Corbett, Oregon
"Overseer" 28/200 | Beki Killorin Hand Colored Etching with Original Copper Engraving
Bernice's Beaver Creek Gallery at TAC is a delight of every-changing treasures, but she's outdone herself this time.
These numbered etchings are sold with the (only) original copper engravings. Both the etchings and the engravings are magnificent. Together, they definitely fall into treasure status.
Etchings are hand colored, signed, and numbered 11x14s with Original 7x7 Engraving plates.
"Stance" Beki Killorin Hand Colored Etching 40/200 with Original Copper Engraving
Bernice's Beaver Creek Gallery at TAC is a delight of every-changing treasures, but she's outdone herself this time.
These numbered etchings are sold with the (only) original copper engravings. Both the etchings and the engravings are magnificent. Together, they definitely fall into treasure status.
Stance is hand colored 11x14, signed, and numbered 40/200 + Original 7x7 Engraving plate.
The Red Preener 43/200 | Beki Killoran Hand Colored Etching with Copper Engraving Plate
Bernice's Beaver Creek Gallery at TAC is a delight of every-changing treasures, but she's outdone herself this time.
These numbered etchings are sold with the (only) original copper engravings. Both the etchings and the engravings are magnificent. Together, they definitely fall into treasure status.
The Red Preener
Etchings 43/200: hand colored, signed, and numbered 11x14 + Original 7x7 copper engraving plate.